ﺳﻠﺴﻠﺔ ﺃﻣﻮﺭ ﺍﺳﺘﻬﺎﻥ ﺑﻬﺎ ﺍﻟﻨﺎﺱ -:
( ﻓﻌﻼ ﻭﺍﻷﻭﻟﻰ ﺗﺮﻛﻬﺎ ، ﺃﻭ ﺗﺮﻛﺎ ﻭﺍﻷﻭﻟﻰ ﻓﻌﻠﻬﺎ )
ﺍﻟﺤﻠﻘﺔ ﺍﻻﻭﻟﻰ :
(ﻓﻰ ﺭﺣﺎﺏ ﺳﻮﺭﺓ ﺍﻟﻔﺎﺗﺤﺔ )
ﺬﻫﺐ ﺟﻤﻬﻮﺭ ﺍﻟﻌﻠﻤﺎﺀ ﺃﻥ ﺍﻟﻔﺎﺗﺤﺔ ﺭﻛﻦ ﻓﻲ ﻛﻞ ﺭﻛﻌﺔ ﻣﻦ ﺭﻛﻌﺎﺕ ﺍﻟﺼﻼﺓ، ﻻ ﺗﺼﺢ ﺍﻟﺼﻼﺓ ﺑﺪﻭﻧﻬﺎ، ﻓﻤﻦ ﺃﺧﻞ
ﺑﻬﺎ ﺑﻬﺎ ﺃﻭ ﺑﺸﻲﺀ ﻣﻨﻬﺎ ﻟﻢ ﺗﺼﺢ ﺻﻼﺗﻪ، ﺑﻞ ﻧﺼﻮﺍ ﻋﻠﻰ ﺃﻥ ﻓﻲ ﺍﻟﻔﺎﺗﺤﺔ ﺇﺣﺪﻯ ﻋﺸﺮﺓ ﺷﺪﺓ ﺳﻮﻯ ﺛﻼﺙ ﻓﻲ
ﺍﻟﺒﺴﻤﻠﺔ ﺇﻥ ﻗﻠﻨﺎ ﻫﻲ ﺁﻳﺔ ﻣﻨﻬﺎ، ﻓﻤﻦ ﺗﺮﻙ ﺗﺸﺪﻳﺪﺓ ﻣﻨﻬﺎ ﻟﻢ ﺗﺼﺢ ﺻﻼﺗﻪ، ﻭﻣﻦ ﻟﺤﻦ ﻓﻴﻬﺎ ﻟﺤﻨﺎً ﻳﺤﻴﻞ ﺍﻟﻤﻌﻨﻰ،
ﻛﺄﻥ ﺿﻢ ﺍﻟﺘﺎﺀ ﻣﻦ ﺃﻧﻌﻤﺖ ﻓﻘﺪ ﺑﻄﻠﺖ ﺻﻼﺗﻪ، ﻭﻛﺬﺍ ﻣﻦ ﺃﺑﺪﻝ ﺣﺮﻓﺎً ﺑﺤﺮﻑ ﻣﻊ ﺍﻟﻘﺪﺭﺓ ﻋﻠﻰ ﺍﻟﻨﻄﻖ ﺑﺎﻟﺤﺮﻑ
ﺍﻟﺼﺤﻴﺢ، ﻛﺄﻥ ﺃﺑﺪﻝ ﺍﻟﺴﻴﻦ ﺻﺎﺩﺍً، ﺃﻭ ﺍﻟﺪﺍﻝ ﺗﺎﺀ، ﺃﻭ ﺍﻟﺬﺍﻝ ﺯﺍﻳﺎً، ﻓﺼﻼﺗﻪ ﻛﺬﻟﻚ ﺑﺎﻃﻠﺔ ﻷﻧﻪ ﻟﻢ ﻳﻘﺮﺃ ﺍﻟﻔﺎﺗﺤﺔ "ﺷﻜﺮ
ﺍﻟﻠﻪ ﻟﻜﻢ ﻭﺟﺰﺍﻛﻢ ﻛﻞ ﺧﻴﺮ
ﺍﺧﻄﺎﺀ ﺷﺎﺋﻌﺔ ﻋﻨﺪ ﺗﻼﻭﺓ ﺳﻮﺭﺓ ﺍﻟﻔﺎﺗﺤﺔ ﻭﻛﻴﻔﻴﺔ ﺍﻟﻨﻄﻖ ﺍﻟﺼﺤﻴﺢ ﻟﻬﺎ ﻟﻠﺸﻴﺦ ﻣﻨﻴﺮ ﻋﻄﺎﺍﻟﻠﻪ
" ﺑِﺴْﻢِ ﺍﻟﻠﻪِ ﺍﻟﺮَّﺣْﻤﻦِ ﺍﻟﺮَّﺣِﻴﻢِِ {1} ﺍﻟْﺤَﻤْﺪُ ﻟﻠّﻪِ ﺭَﺏِّ ﺍﻟْﻌَﺎﻟَﻤِﻴﻦَ {2} ﺍﻟﺮَّﺣْﻤـﻦِ ﺍﻟﺮَّﺣِﻴﻢِ {3} ﻣَﺎﻟِﻚِ ﻳَﻮْﻡِ ﺍﻟﺪِّﻳﻦِ {4} ﺇِﻳَّﺎﻙَ
ﻧَﻌْﺒُﺪُ ﻭﺇِﻳَّﺎﻙَ ﻧَﺴْﺘَﻌِﻴﻦُ {5} ﺍﻫﺪِﻧَــــﺎ ﺍﻟﺼِّﺮَﺍﻁَ ﺍﻟﻤُﺴﺘَﻘِﻴﻢَ {6} ﺻِﺮَﺍﻁَ ﺍﻟَّﺬِﻳﻦَ ﺃَﻧﻌَﻤﺖَ ﻋَﻠَﻴﻬِﻢْ ﻏَﻴﺮِ ﺍﻟﻤَﻐﻀُﻮﺏِ ﻋَﻠَﻴﻬِﻢْ ﻭَﻻَ
ﺍﻟﻀَّﺎﻟِّﻴﻦَ "{7}
========================== ﻧﻘﻮﻝ ﺑﻌﻮﻥ ﺍﻟﻠﻪ ﺗﻌﺎﻟﻰ ﻭ ﺗﻮﻓﻴﻘﻪ ﻓﻰ ﺑﻴﺎﻥ ﺍﻷﺧﻄﺎﺀ ﺍﻟﺸﺎﺋﻌﺔ ﻋﻨﺪ
ﺗﻼﻭﺓ ﺳﻮﺭﺓ ( ﺍﻟﻔﺎﺗﺤﺔ ) ﻭﺍﻟﻨﻄﻖ ﺍﻟﺼﺤﻴﺢ ﻟﻬﺎﻛﻤﺎ ﺗﻌﻠﻤﻨﺎ ﻣﻦ ﻣﺸﺎﻳﺨﻨﺎ ( ﻭﺍﻟﻠﻪ ﺍﻟﻤﺴﺘﻌﺎﻥ ) ﻋﻠﻰ ﺭﻭﺍﻳﺔ ﺣﻔﺺ ﻋﻦ
ﻋﺎﺻﻢ ========================== ﺑِﺴْﻢِ ﺍﻟﻠﻪِ ﺍﻟﺮَّﺣْﻤﻦِ ﺍﻟﺮَّﺣِﻴﻢِِ {1}
( ﺑِﺴْﻢِ ) : ﺣﺮﻑ ﺍﻟﺒﺎﺀ ﻣﻜﺴﻮﺭ ﻭﻣﻨﺎ ﻣﻦ ﻳﺨﻄﺊ ﻭﻳﻤﻴﻠﻪ ﺇﻟﻰ ﺍﻟﻔﺘﺢ ﺃﻯ ﻳﺸﺮﺏ ﺍﻟﻜﺴﺮﺓ ﺑﺎﻟﻔﺘﺤﺔ ﻭﻛﺬﻟﻚ ﺣﺮﻑ ﺍﻟﻤﻴﻢ
-
ﺣﺮﻑ ﺍﻟﺴﻴﻦ ﺳﺎﻛﻦ ﺑﻪ ﺻﻔﻴﺮ .... ﻭﻫﻤﺲ ﻭﺭﺧﺎﻭﺓ ﺃﻯ ﻳﺠﺮﻯ ﻣﻌﻪ ﺍﻟﻨﻔﺲ ﻭﺍﻟﺼﻮﺕ ﻣﻨﺎ ﻣﻦ ﻳﺨﻄﺊ ﻭﻳﻘﻠﻘﻠﻪ ( ﺑِﺴْﻢِ
ﺍﻟﻠﻪِ ) : ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﺗﺴﻘﻂ ﻋﻨﺪ ﺍﻟﻮﺻﻞ ... ﻻﻡ ﻟﻔﻆ ﺍﻟﺠﻼﻝ ﺗﺮﻗﻖ ﻷﻧﻬﺎ ﺳﺒﻘﺖ ﺑﻜﺴﺮ ﺃﻯ ﻛﺴﺮﺓ ﻣﻴﻢ
( ﺑﺴﻢ ) ...... ﺃﻟﻒ ﻟﻔﻆ ﺍﻟﺠﻼﻝ ( ﺍﻟﻠﻪ ) ﻳﻤﺪ ﻃﺒﻴﻌﻴﺎ ﺑﻤﻘﺪﺍﺭ ﺣﺮﻛﺘﻴﻦ ﻓﻘﻂ ﻋﻨﺪ ﺍﻟﻮﺻﻞ ﻭﻣﻨﺎ ﻣﻦ ﻳﺒﺎﻟﻎ ﻓﻰ ﻣﺪﻩ
ﺇﻟﻰ
4 ﺃﻭ 6 ﺣﺮﻛﺎﺕ ﻭﺻﻼ ﻭﻫﺬﺍ ﺧﻄﺄ ﺷﺎﺋﻊ .... ﻭﻳﺨﻄﺊ ﺃﻳﻀﺎ ﺍﻟﻮﻗﻮﻑ ﻋﻠﻰ ﻻﻡ ﻟﻔﻆ ﺍﻟﺠﻼﻝ ﺣﺘﻰ ﺗﺼﻴﺮ ﻛﺎﻟﻤﺪ .....
ﻭﻣﻦ ﺍﻟﺨﻄﺄ ﺯﻳﺎﺩﺓ ﺯﻣﻦ ﻛﺴﺮﺓ ﻫﺎﺀ ﻟﻔﻆ ﺍﻟﺠﻼﻝ ﺣﺘﻰ ﺗﺼﻴﺮ ﻳﺎﺀﺍ ﻣﺪﻳﺔ ﻫﻜﺬﺍ ( ﺍﻟﻠﻬﻰ ) ( ﺑِﺴْﻢِ ﺍﻟﻠﻪِ ﺍﻟﺮَّﺣْﻤﻦِ
ﺍﻟﺮَّﺣِﻴﻢِِ ) : ﻋﻨﺪ ﻭﺻﻞ ( ﺍﻟﻠﻪ ) ﺏ ( ﺍﻟﺮﺣﻤﻦ ) ﺗﺴﻘﻂ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ... ﻭﻻﻡ ( ﺍﻟﺮﺣﻤﻦ ) ﺷﻤﺴﻴﺔ ﻣﺪﻏﻤﺔ ﻻ
ﺗﻨﻄﻖ
( ﻣﺪﻏﻤﺔ ﺃﻯ ﺗﺤﻮﻟﺖ ﺇﻟﻰ ﺭﺍﺀ ﺳﺎﻛﻨﺔ ﻭﺃﺩﻏﻤﺖ ﻓﻰ ﺍﻟﺮﺍﺀ ﺍﻟﻤﺘﺤﺮﻛﺔ ﺑﻌﺪﻫﺎ ﻓﺼﺎﺭﺕ ﺭﺍﺀﺍ ﻣﺸﺪﺩﺓ ) ...... ﺍﻟﺮﺍﺀ
ﻣﻔﺨﻤﺔ ﻷﻧﻬﺎ ﻣﻔﺘﻮﺣﺔ ﻻ ﺗﺮﻗﻖ ﻭﻻ ﺗﻜﺮﺭ ﺣﺘﻰ ﻳﺘﻮﻟﺪ ﻣﻨﻬﺎ ﺭﺍﺀﺍﺕ ﻛﺜﻴﺮﺓ ﻫﻜﺬﺍ ( ﺍﻟﺮﺭﺭﺭﺭﺭﺣﻤﻦ ) ﺑﻞ ﺭﺍﺀ ﻭﺍﺣﺪﺓ ...
ﻭﻻ ﺗﺒﺘﺮ ﺃﻳﻀﺎ ﺑﻨﻘﺺ ﺻﻔﺔ ﺍﻟﺘﻮﺳﻂ ﻓﻴﻬﺎ ...... ﺍﻟﺤﺎﺀ ﺑﻬﺎ ﻫﻤﺲ ﻭﺭﺧﺎﻭﺓ ... ﻣﺮﻗﻘﺔ ﻻ ﺗﻔﺨﻢ ﺑﺴﺒﺐ ﻣﺠﺎﻭﺭﺗﻬﺎ ﻟﻠﺮﺍﺀ
ﺍﻟﻤﻔﺨﻤﺔ ..... ﻭﻻ ﺗﻘﻠﻘﻞ ..... ﻭﻻ ﺗﻨﻄﻖ ﻫﺎﺀﺍ ﺃﻭ ﺧﺎﺀﺍ ﻫﻜﺬﺍ ﺧﻄﺄ ( ﺍﻟﺮﻫﻤﻦ ﺃﻭ ﺍﻟﺮﺧﻤﻦ ) ..... ﺍﻟﻤﻴﻢ : ﻣﺮﻗﻘﺔ
ﻻ ﺗﻔﺨﻢ ﺑﺴﺒﺐ ﻣﺠﺎﻭﺭﺗﻬﺎ ﻟﻠﺮﺍﺀ ﺍﻟﻤﻔﺨﻤﺔ .... ﺗﻤﺪ ﺑﻤﻘﺪﺍﺭ ﺣﺮﻛﺘﻴﻦ ﻓﻘﻂ ﻭﺻﻼ ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﺰﻳﺪ ﻓﻰ ﻣﺪﻫﺎ .....
ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻔﺨﻢ ﺍﻷﻟﻒ ﻷﻧﻪ ﺗﺎﺑﻊ ﻟﻤﺎ ﻗﺒﻠﻪ ﺃﻯ ﺍﻟﻤﻴﻢ ﺍﻟﻤﺮﻗﻘﺔ ....... ﺍﻟﻨﻮﻥ : ﻣﺮﻗﻘﻪ ... ﻣﻜﺴﻮﺭﺓ ﻭﻳﺨﻄﺊ ﻣﻦ
ﻳﻤﻴﻠﻬﺎ ﺇﻟﻰ ﺍﻟﻀﻤﺔ ﻭﻫﺬﺍ ﺧﻄﺄ ﺷﺎﺋﻊ ..... (ﺍﻟﺮﺣﻴﻢ ) : ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﺗﺴﻘﻂ ﻋﻨﺪ ﺍﻟﻮﺻﻞ ...... ﺍﻟﺮﺍﺀ : ﻣﻔﺘﻮﺣﺔ
ﻭﻻ
ﻳﺰﺍﺩ ﻓﻰ ﺍﻟﻔﺘﺤﺔ ﺣﺘﻰ ﺗﺼﻴﺮ ﺃﻟﻒ ﻣﺪ ﻫﻜﺬﺍ ﺧﻄﺄ ( ﺍﻟﺮﺍﺣﻴﻢ ) .... ﺍﻟﻤﻴﻢ : ﻣﻜﺴﻮﺭ ﻭﺻﻼ ﺗﺴﻜﻦ ﻋﻨﺪ ﺍﻟﻮﻗﻒ ﻋﻠﻴﻬﺎ
( ﻻ ﺗﻐﻦ ﻭﻻ ﺗﻘﻠﻘﻞ ) ﻭﻳﺴﻤﻰ ﺍﻟﺴﻜﻮﻥ ﺍﻟﻌﺎﺭﺽ ...... ﺍﻟﻴﺎﺀ ﺍﻟﺴﺎﻛﻨﺔ : ﺗﻤﺪ ﻃﺒﻴﻌﻴﺎ ﻋﻨﺪ ﺍﻟﻮﺻﻞ ﺑﻤﻘﺪﺍﺭ ﺣﺮﻛﺘﻴﻦ
ﻓﻘﻂ ﺃﻣﺎ ﻋﻨﺪ ﺍﻟﻮﻗﻒ ﺗﻤﺪ ﺍﻟﻴﺎﺀ 2 ﺃﻭ 4 ﺃﻭ 6 ﺣﺮﻛﺎﺕ ﻭﻳﺴﻤﻰ ﺑﺎﻟﻤﺪ ﺍﻟﻌﺎﺭﺽ ﻟﻠﺴﻜﻮﻥ ﻭﻟﻜﻦ ﻧﻠﺘﺰﻡ ﺑﻤﺴﺎﻭﺍﺓ
ﺍﻟﻤﺪﻭﺩ ..... ﺗﻨﺒﻴﻪ : ﻳﺠﺐ ﺃﻻ ﻧﺴﺘﻌﻤﻞ ﺍﻟﺨﻴﺸﻮﻡ ﺃﺛﻨﺎﺀ ﺍﻟﻤﺪ ( ﺃﻯ
ﺍﻟﻐﻨﺔ ) ==========================ﺍﻟْﺤُﺪْﻤَ ﻟﻠّﻪِ ﺭَﺏِّ ﺍﻟْﻌَﺎﻟَﻤِﻴﻦَ {2}
( ﺍﻟﺤﻤﺪ ): ﺗﻠﻔﻆ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﻣﻔﺘﻮﺣﺔ ﻋﻨﺪ ﺍﻻﺑﺘﺪﺍﺀ ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻜﺴﺮﻫﺎ ..... ﺍﻟﻼﻡ : ﻗﻤﺮﻳﺔ ﻣﻈﻬﺮﺓ ﺗﻨﻄﻖ ﻭﻻ
ﺗﻘﻠﻘﻞ ...... ﺍﻟﻤﻴﻢ : ﺳﺎﻛﻨﺔ ﻣﻈﻬﺮﺓ ﺟﺎﺀ ﺑﻌﺪﻫﺎ ﺣﺮﻑ ﺍﻟﺪﺍﻝ ﻻ ﺗﻐﻦ ﻭﻻ ﺗﻘﻠﻘﻞ ..... ﻭﻻ ﺗﻨﻄﻖ ﺧﻄﺄ ﻧﻮﻧﺎ
........ ( ﻟﻠﻪ ) ﺗﺮﻗﻖ ﻻﻡ ﻟﻔﻆ ﺍﻟﺠﻼﻝ ﻷﻧﻪ ﺑﺪﺀ ﺑﻜﺴﺮ ........ ﻻ ﻳﺰﺍﺩ ﻓﻰ ﻣﺪ ﺍﻷﻟﻒ ﻭﺻﻼ ........ ( ﺭﺏ )
ﺍﻟﺮﺍﺀ ﻣﻔﺘﻮﺣﺔ ﻣﻔﺨﻤﺔ ﻻ ﺗﺮﻗﻖ ..... ﺍﻟﺒﺎﺀ : ﻣﺸﺪﺩﺓ ﻣﻜﺴﻮﺭﺓ ﻻ ﺗﻨﻄﻖ ﻣﺨﻔﻔﺔ ﺃﻯ ﻳﺠﺐ ﺑﻴﺎﻥ ﺍﻟﺘﺸﺪﻳﺪ ﻋﻨﺪ ﺍﻟﻨﻄﻖ
ﺑﻬﺎ ...... ( ﺍﻟﻌﺎﻟﻤﻴﻦ ) : ﺗﺴﻘﻂ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﻋﻨﺪ ﺍﻟﻮﺻﻞ .... ﺍﻟﻼﻡ ﻗﻤﺮﻳﺔ ﻣﻈﻬﺮﺓ ﺗﻨﻄﻖ .... ﻣﺪ ﺍﻟﻌﻴﻦ ﻃﺒﻴﻌﻴﺎ
ﻭﺻﻼ ﻭﻭﻗﻔﺎ ﻻ ﻳﺰﺍﺩ ﻓﻴﻪ ......... ﺍﻟﻴﺎﺀ ﻣﺪ ﻋﺎﺭﺽ ﻟﻠﺴﻜﻮﻥ ....... ﺍﻟﻨﻮﻥ : ﺗﺴﻜﻦ ﻋﻨﺪ ﺍﻟﻮﻗﻒ ﻻ ﺗﻐﻦ ﻭﻻ
ﺗﻘﻠﻘﻞ ========================== ﺍﻟﺮَّﺣْﻤـﻦِ ﺍﻟﺮَّﺣِﻴﻢِ {3}
( ﺍﻟﺮﺣﻤﻦ ) : ﺗﻔﺘﺢ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﻋﻨﺪ ﺍﻻﺑﺘﺪﺍﺀ ﻭﺗﻠﻔﻆ ﻣﺮﻗﻘﺔ ...... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻜﺴﺮﻫﺎ ...... ﻭﻳﺨﻄﺊ ﻣﻦ
ﻳﻔﺨﻤﻬﺎ ========================== ﻣَﺎﻟِﻚِ ﻳَﻮْﻡِ ﺍﻟﺪِّﻳﻦِ {4}
( ﻣﺎﻟﻚ ) : ﻳﻤﺪ ﺍﻷﻟﻒ ﻃﺒﻴﻌﻴﺎ ﻣﻘﺪﺍﺭ ﺣﺮﻛﺘﻴﻦ ﻓﻘﻂ ﻭﻣﻦ ﺍﻟﺨﻄﺄ ﺯﻳﺎﺩﺓ ﻣﺪﻩ ﻭﻫﺬﺍ ﺷﺎﺋﻊ ..... ﺍﻧﺘﺒﻪ ﺃﻳﻬﺎ ﺍﻷﺥ ﺍﻟﻜﺮﻳﻢ
...... ﻭﻣﻦ ﺍﻟﺨﻄﺄ ﺃﻳﻀﺎ ﺣﺬﻑ ﺃﻟﻒ ﺍﻟﻤﺪ ﻋﻠﻰ ﺭﻭﺍﻳﺔ ﺣﻔﺺ ﻫﻜﺬﺍ ( ﻣﻠﻚ ) ....... ﻛﺎﻑ ( ﻣﺎﻟﻚ ) ﻣﻜﺴﻮﺭﺓ ﺍﻧﻈﺮ
ﺇﻟﻰ ﺍﻟﻜﺴﺮﺓ ﺗﺤﺖ ﺍﻟﻜﺎﻑ ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﺴﻜﻦ ﺍﻟﻜﺎﻑ ﻭﺻﻼ ﻭﻫﺬﺍ ﺷﺎﺋﻊ ﺟﺪﺍ ﺟﺪﺍ ..... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﺰﻳﺪ ﻋﻠﻰ
ﺍﻟﻜﺴﺮ
ﺣﺘﻰ ﺗﺼﻴﺮ ﻳﺎﺀ ﻣﺪﻳﺔ ﻫﻜﺬﺍ ( ﻣﺎﻟﻜﻰ ) ...... ﻭﻛﺬﻟﻚ ﻛﺴﺮﺓ ﻣﻴﻢ ( ﻳﻮﻡ ) ﻻ ﺗﺴﻜﻦ ﻭﺻﻼ ..... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻤﺪ
ﻭﺍﻭ ( ﻳﻮﻡ ) ﻭﺻﻼ .... ( ﺍﻟﺪﻳﻦ ) : ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﺗﺴﻘﻂ ﻋﻨﺪ ﺍﻟﻮﺻﻞ ..... ﺍﻟﻼﻡ ﺷﻤﺴﻴﺔ ﻣﺪﻏﻤﺔ ﻻ ﺗﻨﻄﻖ ......
ﺍﻟﺪﺍﻝ : ﻣﺸﺪﺩﺓ ﻻ ﺗﻨﻄﻖ ﺗﺎﺀﺍ ﻓﺘﺼﻴﺮ ﺧﻄﺄ ﻣﺜﻞ ( ﺍﻟﺘﻴﻦ ) ...... ﻣﺪ ﺍﻟﻴﺎﺀ ﻋﺎﺭﺽ ﻟﻠﺴﻜﻮﻥ
ﻭﻗﻔﺎ ========================== ﺇِﻳَّﺎﻙَ ﻧَﻌْﺒُﺪُ ﻭﺇِﻳَّﺎﻙَ ﻧَﺴْﺘَﻌِﻴﻦُ {5}
( ﺇﻳﺎﻙ ) : ﺍﻟﻴﺎﺀ ﻣﺸﺪﺩﺓ ﺭﺧﻮﺓ ﻻ ﺗﻨﻄﻖ ﺧﻄﺄ ﻣﺨﻔﻔﺔ ﺃﻯ ﺑﻴﺎﺀ ﻣﻔﺘﻮﺣﺔ ﻓﻘﻂ ..... ﻳﻤﺪ ﺍﻷﻟﻒ ﻃﺒﻴﻌﻴﺎ ﻭﺻﻼ ﻭﻻ ﻳﺰﺍﺩ
ﻓﻰ ﻣﺪﻩ ......... ﺍﻟﻜﺎﻑ : ﻣﺮﻗﻘﺔ ﻻ ﺗﻔﺨﻢ .... ﻭﻻ ﻳﺰﺍﺩ ﻓﻰ ﻓﺘﺤﺔ ﺍﻟﻜﺎﻑ ﺣﺘﻰ ﺗﺼﻴﺮ ﻣﺪﺍ ﻫﻜﺬﺍ ( ﺇﻳﺎﻛﺎ ) ....
( ﻧَﻌْﺒُﺪُ ) : ﺍﻟﻌﻴﻦ ﺳﺎﻛﻨﺔ ﺑﻬﺎ ﺗﻮﺳﻂ ﻋﻤﻴﻘﺔ ﻭﻟﻴﺴﺖ ﻋﺎﺋﻤﺔ ..... ﺍﻧﺘﺒﻪ ﺟﻴﺪﺍ ﻭﺍﻧﻈﺮ ﺇﻟﻰ ﺍﻟﻀﻤﺔ ﻋﻠﻰ ﺍﻟﺪﺍﻝ ﻭﻣﻦ
ﺍﻟﺨﻄﺄ ﺍﻟﺸﺎﺋﻊ ﺟﺪﺍ ﺟﺪﺍ ﺗﺴﻜﻴﻦ ﺍﻟﺪﺍﻝ ﻭﻫﻰ ﻣﻀﻤﻮﻣﺔ ﺃﺻﻼ ..... ﻭﻳﺨﻄﺊ ﺃﻳﻀﺎ ﻣﻦ ﻳﺒﺎﻟﻎ ﻓﻰ ﺍﻟﻀﻤﺔ ﺣﺘﻰ ﺗﺼﻴﺮ ﻣﺪﺍ
ﻫﻜﺬﺍ ( ﻧﻌﺒﺪﻭ ﻭﺇﻳﺎﻙ ﻧﺴﺘﻌﻴﻦ ) ...... ( ﻭﺇﻳﺎﻙ ) : ﺍﻟﻬﻤﺰﺓ ﻫﻤﺰﺓ ﻗﻄﻊ ﺗﻠﻔﻆ ﺩﺍﺋﻤﺎ ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﺴﻘﻄﻬﺎ ﻣﺜﻞ
ﻫﻤﺰﺓ
ﺍﻟﻮﺻﻞ ﻓﺘﺼﻴﺮ ﺧﻄﺄ ( ﻭﻳﺎﻙ ) ( ﻧﺴﺘﻌﻴﻦ ) : ﺍﻟﺴﻴﻦ ﺳﺎﻛﻨﺔ ﻣﻬﻤﻮﺳﺔ ﺭﺧﻮﺓ ﻻ ﺗﻘﻠﻘﻞ .......... ﺍﻟﺘﺎﺀ : ﻣﻔﺘﻮﺣﺔ
ﻓﻘﻂ
ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻤﺪﻫﺎ ﻓﺘﺼﻴﺮ ( ﻧﺴﺘﺎﻋﻴﻦ ) ........ ﻣﺪ ﺍﻟﻴﺎﺀ ﻋﺎﺭﺽ ﻟﻠﺴﻜﻮﻥ ﻭﻗﻔﺎ .......... ﻋﻨﺪ ﻭﺻﻞ ( ﻧَﺴْﺘَﻌِﻴﻦُ )
ﺏ
( ﺍﻫﺪﻧﺎ ) ﺗﺴﻘﻂ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﻭﻧﻨﻄﻖ ﺑﻬﻤﺎ ﻫﻜﺬﺍ ( ﻧَﺴْﺘَﻌِﻴﻨُﻬﺪﻧﺎ ) ==========================
ﺍﻫﺪِﻧَــــﺎ ﺍﻟﺼِّﺮَﺍﻁَ ﺍﻟﻤُﺴﺘَﻘِﻴﻢَ {6}
( ﺍﻫﺪﻧﺎ ) : ﺗﻠﻔﻆ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﻋﻨﺪ ﺍﻻﺑﺘﺪﺍﺀ ﻣﻜﺴﻮﺭﺓ ﻷﻥ ﺛﺎﻟﺚ ﺍﻟﻔﻌﻞ ﻣﻜﺴﻮﺭﺍ ﺃﻋﻨﻰ ﺍﻟﺪﺍﻝ ......... ﺍﻟﻬﺎﺀ
ﻣﻬﻤﻮﺳﺔ ﺭﺧﻮﺓ ﻻ ﺗﻘﻠﻘﻞ ..... ﻧﻮﻥ : (ﺍﻫﺪﻧﺎ ) ﻣﺮﻗﻘﺔ ﻻ ﺗﻔﺨﻢ ..... ﺃﻟﻒ ( ﺍﻫﺪﻧﺎ ) ﻣﺤﺬﻭﻑ ﻭﺻﻼ ﺑﺴﺐ ﺍﻟﺘﻘﺎﺀ
ﺍﻟﺴﺎﻛﻨﻴﻦ ...... ( ﺍﻟﺼﺮﺍﻁ ) : ﺗﺴﻘﻂ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﻋﻨﺪ ﺍﻟﻮﺻﻞ ....... ﺍﻟﻼﻡ ﺷﻤﺴﻴﺔ ﻣﺪﻏﻤﺔ ﻻ ﺗﻠﻔﻆ ..........
ﺍﻟﺼﺎﺩ ﻣﺸﺪﺩﺓ ﻣﻜﺴﻮﺭﺓ ﻣﻬﻤﻮﺳﺔ ﺭﺧﻮﺓ ﻓﻰ ﺁﺧﺮ ﻣﺮﺍﺗﺐ ﺍﻟﺘﻔﺨﻴﻢ ﺃﻯ ﻻ ﺗﻔﺨﻢ ﺗﻔﺨﻴﻤﺎ ﻗﻮﻳﺎ ﻣﺜﻞ ﺍﻟﻤﻔﺘﻮﺣﺔ ﺃﻭ
ﺍﻟﻤﻀﻤﻮﻣﺔ .... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻔﺨﻤﻬﺎ ﺗﻔﺨﻴﻤﺎ ﻗﻮﻳﺎ .... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻨﻄﻘﻬﺎ ﻣﻀﻤﻮﻣﺔ ......... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﺰﻳﺪ
ﻓﻰ ﺻﻔﻴﺮﻫﺎ ﺑﻤﻂ ﺍﻟﺸﻔﺘﻴﻦ ........ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻨﻄﻘﻬﺎ ﺳﻴﻨﺎ ﻋﻠﻰ ﺭﻭﺍﻳﺔ ﺣﻔﺺ ...... ﺍﻟﺮﺍﺀ ﻣﻔﺘﻮﺣﺔ ﻣﻔﺨﻤﺔ ﻻ
ﺗﺮﻗﻖ ﺗﻤﺪ ﺣﺮﻛﺘﻴﻦ ﻓﻘﻂ ﻭﺻﻼ ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﺰﻳﺪ ﻓﻰ ﻣﺪﻫﺎ ﻭﺻﻼ ...... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﺮﻗﻖ ﺃﻟﻒ ﺍﻟﻤﺪ ﻷﻧﻪ ﺗﺎﺑﻊ ﻟﻠﺮﺍﺀ
ﺍﻟﻤﻔﺨﻤﺔ ......... ﺍﻟﻄﺎﺀ : ﻣﻔﺘﻮﺣﺔ ﻣﻔﺨﻤﺔ ﻓﻰ ﺍﻟﻤﺮﺗﺒﺔ ﺍﻟﺜﺎﻧﻴﺔ ﺃﻯ ﺗﻔﺨﻴﻤﺎ ﻗﻮﻳﺎ ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻨﻄﻘﻬﺎ ﺗﺎﺀﺍ ﻭﻫﺬﺍ
ﺷﺎﺋﻊ ﺟﺪﺍ ﺗﻨﻄﻖ ﻫﻜﺬﺍ ﺧﻄﺄ ( ﺍﻟﺼﺮﺍﺕ ) ﺃﻭ ( ﺍﻟﺴﺮﺍﺕ ) ........... ( ﺍﻟﻤﺴﺘﻘﻴﻢ ) : ﻧﻨﺘﺒﻪ ﺟﻤﻴﻌﺎ ﺇﻟﻰ ﻫﺬﻩ
ﺍﻟﻜﻠﻤﺔ
........ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﺗﺴﻘﻂ ﻋﻨﺪ ﺍﻟﻮﺻﻞ ....... ﺍﻟﻼﻡ ﺳﺎﻛﻨﺔ ﻗﻤﺮﻳﺔ ﺗﻠﻔﻆ ﻣﺮﻗﻘﺔ ﺃﻯ ﻻ ﺗﻔﺨﻢ ﺑﺴﺒﺐ ﻣﺠﺎﻭﺭﺗﻬﺎ
ﻟﻠﻘﺎﻑ ﻓﻰ ﻛﻠﻤﺘﻬﺎ ....... ﺍﻟﻤﻴﻢ : ﻣﺮﻗﻘﺔ ﻛﺬﻟﻚ ﻭﻻ ﺗﻔﺨﻢ ....... ﺍﻟﺴﻴﻦ ﺳﺎﻛﻨﺔ ﻣﻬﻤﻮﺳﺔ ﺭﺧﻮﺓ ﻣﺮﻗﻘﺔ ﻻ ﺗﻘﻠﻘﻞ
ﻭﻻ ﺗﻨﻄﻖ ﺻﺎﺩﺍ ﺑﺴﺒﺐ ﻣﺠﺎﻭﺭﺗﻬﺎ ﻟﻠﻘﺎﻑ ﻓﻰ ﻛﻠﻤﺘﻬﺎ ﻭﻫﺬﺍ ﺍﻟﺨﻄﺄ ﺷﺎﺋﻊ ﺑﻜﺜﺮﺓ ...... ﺍﻟﺘﺎﺀ : ﻣﺮﻗﻘﺔ ﻻ ﺗﻨﻄﻖ ﺧﻄﺄ
ﻃﺎﺀﺍ ﺑﺴﺒﺐ ﻣﺠﺎﻭﺭﺗﻬﺎ ﻟﻠﻘﺎﻑ ﻓﻰ ﻛﻠﻤﺘﻬﺎ ﻭﻫﺬﺍ ﺍﻟﺨﻄﺄ ﺷﺎﺋﻊ ﺑﻜﺜﺮﺓ ﺃﻳﻀﺎ .... ﻓﻨﻨﻄﻖ ﺍﻟﻜﻠﻤﺔ ﻛﻠﻬﺎ ﺧﻄﺄ ﻫﻜﺬﺍ
( ﺍﻟﻤﺼﻄﻘﻴﻢ ) ﺍﻧﻈﺮ ﺇﻟﻰ ﻓﺪﺍﺣﺔ ﺍﻷﺧﻄﺎﺀ ﻭﺗﺤﻮﻝ ﺍﻟﻜﻠﻤﺔ ﺇﻟﻰ ﻛﻠﻤﺔ ﺃﺧﺮﻯ ..... ﻭﻛﻰ ﻧﺼﺤﺢ ﻫﺬﻩ ﺍﻷﺧﻄﺎﺀ ﻋﻠﻴﻨﺎ
ﺍﺗﺒﺎﻉ ﺍﻵﺗﻰ ..... ﻧﻨﻄﻖ ﺑﺎﻟﻜﻠﻤﺔ ﻋﻠﻰ ﻣﺮﺣﻠﺘﻴﻦ ﺃﻭﻻ ﻣﻊ ﺍﻟﺘﺪﺭﻳﺐ ﻫﻜﺬﺍ ( ﺍﻟﻤﺴﺖ ....... ﻗﻴﻢ ) ( ﺍﻟﻤﺴﺖ .......
ﻗﻴﻢ ) ( ﺍﻟﻤﺴﺖ ....... ﻗﻴﻢ ) ( ﺍﻟﻤﺴﺖ ....... ﻗﻴﻢ ) ........ ﺛﻢ ﻧﺠﻤﻊ ﺍﻟﻜﻠﻤﺔ ﻋﻠﻰ ﻧﻔﺲ ﺍﻟﻨﻄﻖ
( ﺍﻟﻤﺴﺘﻘﻴﻢ ) ..... ﺣﺮﻑ ﺍﻟﻘﺎﻑ : ﻣﻜﺴﻮﺭ ﻳﻔﺨﻢ ﻓﻰ ﺍﻟﻤﺮﺗﺒﺔ ﺍﻟﺨﺎﻣﺴﺔ ﺃﻯ ﺍﻷﺧﻴﺮﺓ ﺃﻯ ﺗﻔﺨﻴﻤﺎ ﺿﻌﻴﻔﺎ ﻭﻳﺨﻄﺊ ﻣﻦ
ﻳﻔﺨﻤﻪ ﺗﻔﺨﻴﻤﺎ ﻗﻮﻳﺎ ....... ﻭﻳﺨﻄﻰ ﻣﻦ ﻳﻨﻄﻘﻪ ﻣﺜﻞ ﺍﻟﻜﺎﻑ ﺃﻭ ﻗﺮﻳﺒﺎ ﻣﻦ ﺍﻟﻜﺎﻑ ﻫﻜﺬﺍ ( ﺍﻟﻤﺴﺘﻜﻴﻢ ) ..... ﻭﻳﺨﻄﺊ
ﻣﻦ ﻳﻨﻄﻘﻪ ﻏﻴﻨﺎ ﻫﻜﺬﺍ ( ﺍﻟﻤﺴﺘﻐﻴﻢ ) ...... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻨﻄﻘﻪ ﺑﺎﻟﺤﺮﻑ ﺍﻹﻧﺠﻠﻴﺰﻯ ( G ) ﻫﻜﺬﺍ ( ﺍﻟﻤﺴﺖ G ﻳﻢ )
ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻨﻄﻘﻪ ﺑﺎﻟﻬﻤﺰﺓ ﻫﻜﺬﺍ ( ﺍﻟﻤﺴﺘﺌﻴﻢ ) .........ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻤﺪ ﻓﺘﺤﺔ ﺍﻟﺴﻴﻦ ﺣﺘﻰ ﺗﺼﻴﺮ ﺃﻟﻒ ﻣﺪ ﻫﻜﺬﺍ
( ﺍﻟﻤﺴﺘﺎﻗﻴﻢ ) ....... ﻣﺪ ﺍﻟﻴﺎﺀ ﻋﺎﺭﺽ ﻟﻠﺴﻜﻮﻥ ﻭﻗﻔﺎ ========================== ﺻِﺮَﺍﻁَ ﺍﻟَّﺬِﻳﻦَ
ﺃَﻧﻌَﻤﺖَ ﻋَﻠَﻴﻬِﻢْ ﻏَﻴﺮِ ﺍﻟﻤَﻐﻀُﻮﺏِ ﻋَﻠَﻴﻬِﻢْ ﻭَﻻَ ﺍﻟﻀَّﺎﻟِّﻴﻦَ {7}
( ﺻﺮﺍﻁ ) : ﺍﻟﺼﺎﺩ ﺗﻔﺨﻢ ﻓﻰ ﺁﺧﺮ ﻣﺮﺗﺒﺔ ﻷﻧﻬﺎ ﻣﻜﺴﻮﺭﺓ ( ﺃﻯ ﺍﻟﻤﺮﺗﺒﺔ ﺍﻟﺨﺎﻣﺴﺔ ) ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻔﺨﻤﻬﺎ ﺗﻔﺨﻴﻤﺎ
ﻗﻮﻳﺎ
..... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻨﻄﻘﻬﺎ ﺳﻴﻨﺎ ﻋﻠﻰ ﺭﻭﺍﻳﺔ ﺣﻔﺺ ....... ﺍﻟﺮﺍﺀ ﻣﻔﺨﻤﺔ ﻻ ﺗﺮﻗﻖ ...... ﺍﻷﻟﻒ ﻳﻤﺪ ﻭﺻﻼ ﺑﻤﻘﺪﺍﺭ
ﺣﺮﻛﺘﻴﻦ ﻓﻘﻂ ﻭﻻ ﻳﺰﺍﺩ ﻓﻰ ﻣﺪﻩ ﻋﻦ ﺣﺮﻛﺘﻴﻦ ....... ﺍﻟﻄﺎﺀ : ﻣﻔﺘﻮﺣﺔ ﻣﻔﺨﻤﺔ ﺗﻔﺨﻴﻤﺎ ﻗﻮﻳﺎ ﻓﻰ ﺍﻟﺪﺭﺟﺔ ﺍﻟﺜﺎﻧﻴﺔ ﻭﻻ
ﺗﻨﻄﻖ ﺧﻄﺄ ( ﺗﺎﺀﺍ ) ﻫﻜﺬﺍ ( ﺻﺮﺍﺕ ) ﺃﻭ ( ﺳﺮﺍﺕ ) ........ ( ﺍﻟﺬﻳﻦ ) : ﺗﺴﻘﻂ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﻋﻨﺪ ﺍﻟﻮﺻﻞ ......
ﺍﻟﻼﻡ ﺷﻤﺴﻴﺔ ﻣﺪﻏﻤﺔ ﻣﺮﻗﻘﺔ ﻻ ﺗﻔﺨﻢ .......... ﻧﻨﺘﺒﻪ ﺟﻴﺪﺍ ﺇﻟﻰ ﺣﺮﻑ ( ﺍﻟﺬﺍﻝ ) ﻭﻧﻨﻈﺮ ﺇﻟﻰ ﺷﻜﻠﻪ ﻧﺠﺪﻩ ﻣﺜﻞ
ﺷﻜﻞ ﺣﺮﻑ ( ﺍﻟﺪﺍﻝ ) ﻭﻟﻜﻦ ﻋﻠﻴﻪ ﻧﻘﻄﺔ .... ﻫﺬﺍ ﺍﻟﺤﺮﻑ ﻭﺃﺧﻮﻳﻪ ﻓﻰ ﺍﻟﻤﺨﺮﺝ ﺃﻯ ( ﺍﻟﺜﺎﺀ ﻭ ﺍﻟﻈﺎﺀ ) ﻧﺤﻦ ﺟﻤﻴﻌﻨﺎ
ﺑﻼ ﺍﺳﺘﺜﻨﺎﺀ ﻧﻨﻄﻘﻬﺎ ﻓﻰ ﺍﻟﻠﻬﺠﺔ ﺍﻟﻤﺤﻠﻴﺔ ﺍﻟﻌﺎﻣﻴﺔ ﻫﻜﺬﺍ ( ﺍﻟﺬﺍﻝ ﺫ ﻧﻨﻄﻘﻬﺎ ﺧﻄﺄ ﺯ ﺯﺍﻯ ) .... ( ﺍﻟﺜﺎﺀ ﺙ ﻧﻨﻄﻘﻬﺎ ﺧﻄﺄ
ﺱ ﺍﻟﺴﻴﻦ ) .... ( ﺍﻟﻈﺎﺀ ﻅ ﻧﻨﻄﻘﻬﺎ ﺧﻄﺄ ﺯ ﺯﺍﻯ ﻣﻔﺨﻤﺔ ) ﻭﻫﺬﻩ ﺍﻷﺧﻄﺎﺀ ﺗﻐﻴﺮ ﺍﻟﻜﻠﻤﺔ ﺇﻟﻰ ﻛﻠﻤﺔ ﺁﺧﺮﻯ ﺗﻤﺎﻣﺎ
ﺗﺴﺒﺐ ﻓﻰ ﺗﻐﻴﻴﺮ ﻣﻌﻨﺎﻫﺎ ﻫﻜﺬﺍ ﻓﻰ ﻣﺜﻞ (" ﻓﻜﺜﺮﻛﻢ " ﺗﻨﻄﻖ ( ﺍﻟﺜﺎﺀ ﺳﻴﻨﺎ ) ﻓﺘﺼﻴﺮ ﺧﻄــﺄ ( ﻓﻜﺴﺮﻛﻢ ) ﺃﻭ ﻓﻰ
ﻣﺜﻞ : " ﺃﻛﺒﺮ " ﺗﻨﻄﻖ ( ﺍﻟﻜﺎﻑ ﻣﺜﻞ ﺣﺮﻑ G ﺑﺎﻹﻧﺠﻠﻴﺰﻱ ) ﻓﺘﺼﻴﺮ ﺧﻄﺄ ( ﺃ G ﺑﺮ ) ﺃﻭ ﻓﻰ ﻣﺜﻞ :" ﻭﺿﺎﻕ ﺑﻬﻢ
ﺫﺭﻋﺎ "
ﺗﻨﻄﻖ ( ﺍﻟﺬﺍﻝ ﻣﺜﻞ ﺍﻟﺰﺍﻯ ) ﻓﺘﺼﻴﺮ ﺧﻄﺄ ( ﻭﺿﺎﻕ ﺑﻬﻢ ﺯﺭﻋﺎ ) ﻭﻫﺬﺍ ﺣﺮﺍﻡ ﺑﺎﻹﺟﻤﺎﻉ ﺃﻱ ( ﺗﻐﻴﻴﺮ ﺣﺮﻑ ﺑﺤﺮﻑ ﺁﺧﺮ )
ﻭﻣﺜﻞ ﺫﻟﻚ ( ﺗﻐﻴﻴﺮ ﺣﺮﻛﺔ ﺑﺤﺮﻛﺔ ﺃﺧﺮﻯ ) ....... ﻓﻼ ﻳﺼﺢ ﺃﻥ ﻧﻨﻄﻖ ( ﺍﻟﺬﻳﻦ ) ﺧﻄﺄ ( ﺍﻟﻠﺰﻳﻦ ) ﻫﻞ ﻫﺬﺍ ﻳﺼﺢ ؟
ﺍﻟﺠﻮﺍﺏ ﻻ ﻳﺼﺢ ﺃﺑﺪﺍﻭﺍﻟﺼﻮﺍﺏ ﺃﻥ ﻧﺘﻌﺮﻑ ﻋﻠﻰ ﻣﺨﺮﺝ ﻫﺬﻩ ﺍﻷﺣﺮﻑ ﻭﻧﺘﺪﺭﺏ ﻋﻠﻴﻬﺎ ﻣﺨﺮﺝ ( ﺫ ﺙ ﻅ ) ﻣﻦ ﻃﺮﻑ
ﺍﻟﻠﺴﺎﻥ ﺃﻯ ﻣﻦ ﺍﻷﻣﺎﻡ ﻭﻛﻠﻨﺎ ﻳﻌﺮﻑ ﻃﺮﻑ ﻟﺴﺎﻧﻪ ﻧﺠﻌﻠﻪ ﻳﻼﻣﺲ ... ﻳﻼﻣﺲ ... ﻳﻼﻣﺲ ... ﻳﻼﻣﺲ .... ﻳﻼﻣﺲ
ﺃﺳﻔﻞ
ﺍﻟﺴﻨﻴﻦ ﺍﻟﻌﻠﻴﻴﻦ ﺍﻷﻣﺎﻣﻴﻴﻦ ( ﺃﻯ ﻣﻦ ﺗﺤﺘﻬﻤﺎ ) ﻭﺑﻬﺬﺍ ﺍﻟﺘﻼﻣﺲ ﻧﻨﻄﻖ ﻫﺬﻩ ﺍﻷﺣﺮﻑ ﺻﺤﻴﺤﺔ ﻭ ( ﺟﺮﺏ ﺁﻻﻥ ﺑﻨﻔﺴﻚ )
ﻭﺑﺪﻭﻧﻪ ﺃﻯ ﺍﺑﺘﻌﺎﺩ ﺍﻟﻠﺴﺎﻥ ﻋﻦ ﻣﻼﻣﺴﺔ ﺃﺳﻔﻞ ﺍﻟﺴﻨﻴﻦ ﺍﻟﻌﻠﻴﻴﻦ ﺍﻷﻣﺎﻣﻴﻴﻦ ﻳﺼﻴﺮ ﺍﻟﻨﻄﻖ ﺧﻄﺄ ﻋﻨﺪ ﺗﻼﻭﺓ ﺍﻟﻘﺮﺁﻥ ﺍﻟﻜﺮﻳﻢ
.... ﻓﻠﻨﺠﺘﻬﺪ ﻭﻧﺘﺪﺭﺏ ....... ( ﺃَﻧﻌَﻤﺖَ ﻋﻠﻴﻬﻢ ) : ﺍﻟﻬﻤﺰﺓ ﺗﻠﻔﻆ ﻷﻧﻬﺎ ﻫﻤﺰﺓ ﻗﻄﻊ ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﺴﻘﻄﻬﺎ ﻣﺜﻞ ﻫﻤﺰﺓ
ﺍﻟﻮﺻﻞ ﻓﺘﺼﻴﺮ ﺧﻄﺄ ( ﻧﻌﻤﺖ ) .....ﺍﻟﻨﻮﻥ ﺳﺎﻛﻨﺔ ﻣﻈﻬﺮﺓ ﺇﻇﻬﺎﺭﺍ ﺣﻠﻘﻴﺎ ﺟﺎﺀ ﺑﻌﺪﻫﺎ ﺣﺮﻑ ﺍﻟﻌﻴﻦ ﻻ ﺗﻐﻦ ﻭﻻ ﺗﻘﻠﻘﻞ
....... ﺍﻟﻤﻴﻢ : ﻣﻈﻬﺮﺓ ﺇﻇﻬﺎﺭﺍ ﺷﻔﻮﻳﺎ ﺟﺎﺀ ﺑﻌﺪﻫﺎ ﺣﺮﻑ ﺍﻟﺘﺎﺀ ﻻ ﺗﻐﻦ ﻭﻻ ﺗﻘﻠﻘﻞ ....... ( ﻋﻠﻴﻬﻢ ) : ﺍﻟﻌﻴﻦ ﻋﻤﻴﻘﺔ
ﻭﻟﻴﺴﺖ ﻋﺎﺋﻤﺔ ..... ﺍﻟﻴﺎﺀ ﺳﺎﻛﻨﺔ ﺗﺘﺼﻒ ﺑﺎﻟﻠﻴﻦ ﻷﻥ ﻗﺒﻠﻬﺎ ﻓﺘﺢ ..... ﺍﻟﻬﺎﺀ : ﻣﻜﺴﻮﺭﺓ ﻻ ﻳﺰﺍﺩ ﻓﻰ ﻛﺴﺮﺗﻬﺎ ﺣﺘﻰ
ﺗﺼﻴﺮ ﺣﺮﻑ ﻣﺪ ﻫﻜﺬﺍ ( ﻋﻠﻴﻬﻴﻢ ) ﻭﻻ ﺗﺸﺮﺏ ﺍﻟﻜﺴﺮﺓ ﺑﺎﻟﻔﺘﺤﺔ ....... ﺍﻟﻤﻴﻢ : ﺳﺎﻛﻨﺔ ﻣﻈﻬﺮﺓ ﻻ ﺗﻐﻦ ﻭﻻ
ﺗﻘﻠﻘﻞ ( ﻏَﻴﺮِ ﺍﻟﻤَﻐﻀُﻮﺏِ ﻋَﻠَﻴﻬِﻢْ ﻭﻻ ) : ( ﻏﻴﺮ ) : ﺍﻟﻐﻴﻦ ﻣﻔﺘﻮﺣﺔ ﻣﻔﺨﻤﺔ ﻓﻰ ﺍﻟﺪﺭﺟﺔ ﺍﻟﺜﺎﻧﻴﺔ ﻭﺍﻟﺨﻄﺄ ﺍﻟﺸﺎﺋﻊ ﺟﺪﺍ
ﻓﻴﻬﺎ
ﺇﺿﻌﺎﻑ ﺗﻔﺨﻴﻤﻬﺎ ﻓﻴﺼﻴﺮ ﻓﻰ ﺍﻟﻤﺮﺗﺒﺔ ﺍﻷﺧﻴﺮﺓ ﺃﻯ ﺍﻟﺨﺎﻣﺴﺔ ...... ﺍﻟﻴﺎﺀ ﺳﺎﻛﻨﺔ ﻣﺮﻗﻘﺔ ﻳﺎﺀ ﻟﻴﻦ ﻷﻥ ﻗﺒﻠﻬﺎ ﻓﺘﺢ ﻻ ﻳﻤﺪ
ﺇﻻ ﻋﻨﺪ ﺍﻟﻮﻗﻒ ﻓﻘﻂ ﺑﺸﺮﻁ ﺃﻥ ﻳﻜﻮﻥ ﻗﺒﻞ ﺁﺧﺮ ﺣﺮﻑ ﻓﻰ ﺍﻟﻜﻠﻤﺔ ﺍﻟﻤﻮﻗﻮﻑ ﻋﻠﻴﻬﺎ ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻔﺨﻤﻬﺎ ﺃﻭ ﻳﻤﺪﻫﺎ
ﻭﺻﻼ ........... ﺍﻟﺮﺍﺀ : ﻣﻜﺴﻮﺭﺓ ﻣﺮﻗﻘﺔ ﻻ ﺗﻔﺨﻢ ....... ( ﺍﻟﻤﻐﻀﻮﺏ ) : ﺗﺴﻘﻂ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ ﻋﻨﺪ ﺍﻟﻮﺻﻞ
.....
ﺍﻟﻤﻴﻢ : ﻣﺮﻗﻘﺔ ﻻ ﺗﻔﺨﻢ ....... ﺍﻟﻐﻴﻦ : ﺳﺎﻛﻨﺔ ﺭﺧﻮﺓ ( ﺃﻯ ﻳﺠﺮﻯ ﻣﻌﻬﺎ ﺍﻟﺼﻮﺕ ) ﻣﻔﺨﻤﺔ ﺗﻔﺨﻴﻤﺎ ﻗﻮﻳﺎ ﻓﻰ ﺍﻟﺪﺭﺟﺔ
ﺍﻟﺜﺎﻧﻴﺔ ﻷﻥ ﻗﺒﻠﻬﺎ ﻓﺘﺢ ....... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻨﻄﻘﻬﺎ ﻗﺎﻓﺎ ﻫﻜﺬﺍ ( ﺍﻟﻤﻘﻀﻮﺏ ) ........ ﺃﻭ ﺧﺎﺀﺍ ﻫﻜﺬﺍ
( ﺍﻟﻤﺨﻀﻮﺏ ) ...... ﺍﻟﻀﺎﺩ : ﻣﻀﻤﻮﻣﺔ ﻣﻔﺨﻤﺔ ﻓﻰ ﺍﻟﻤﺮﺗﺒﺔ ﺍﻟﺜﺎﻟﺜﺔ ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻨﻄﻘﻬﺎ ﺩﺍﻻ ﻓﺘﺼﻴﺮ
( ﺍﻟﻤﻐﺪﻭﺏ ) ...... ﺍﻟﺒﺎﺀ : ﻣﻜﺴﻮﺭﺓ ﻣﺮﻗﻘﺔ ( ﻋﻠﻴﻬﻢ ) : ﺍﻟﻤﻴﻢ ﺳﺎﻛﻨﺔ ﻣﻈﻬﺮﺓ ﻻ ﺗﻐﻦ ﻭﻻ ﺗﻘﻠﻘﻞ ﻭﻻ ﺗﺨﻔﻰ ﻋﻨﺪ
ﺍﻟﻮﺍﻭ ﺑﻌﺪﻫﺎ ( ﻭَﻻَ ﺍﻟﻀَّﺎﻟِّﻴﻦَ ) : ﺍﻟﻮﺍﻭ ﻣﺮﻗﻘﺔ ﻻ ﺗﻔﺨﻢ ...... ﺍﻟﻼﻡ : ﻣﺮﻗﻘﺔ ﻻ ﺗﻔﺨﻢ ...... ﺍﻷﻟﻒ ﻳﺤﺬﻑ ﻭﺻﻼ
ﺑﺴﺒﺐ ﺍﻟﺘﻘﺎﺀ ﺍﻟﺴﺎﻛﻨﻴﻦ ...... ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﺜﺒﺖ ﺍﻷﻟﻒ ﻇﺎﻧﺎ ﺃﻧﻪ ﻳﺄﺗﻰ ﺑﺎﺳﺘﻄﺎﻟﺔ ﺍﻟﻀﺎﺩ ..... ﺗﺴﻘﻂ ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ
ﻋﻨﺪ ﺍﻟﻮﺻﻞ ....... ﺍﻟﻼﻡ ﺷﻤﺴﻴﺔ ﻣﺪﻏﻤﺔ ﺃﻯ ﺗﺤﻮﻟﺖ ﺇﻟﻰ ﺿﺎﺩ ﺳﺎﻛﻨﺔ ﺃﺩﻏﻤﺖ ﻓﻰ ﺍﻟﻀﺎﺩ ﺍﻟﻤﺘﺤﺮﻛﺔ ﺑﻌﺪﻫﺎ ﻓﺼﺎﺭﺗﺎ
ﺿﺎﺩﺍ ﻣﺸﺪﺩﺓ ﺭﺧﻮﺓ ﻣﺴﺘﻄﻴﻠﺔ ﻣﻄﺒﻘﺔ ﻧﻨﻄﻖ ﺑﻬﺎ ﻭﺻﻼ ﻫﻜﺬﺍ ( ﻭﻟﻀﺎﻟﻴﻦ ) ...... ﻭﺍﻻﺳﺘﻄﺎﻟﺔ : ﻫﻰ ﺍﻣﺘﺪﺍﺩ ﺻﻮﺕ
ﺍﻟﻀﺎﺩ ﺍﻟﺴﺎﻛﻨﺔ ﻣﻦ ﺃﻭﻝ ﺇﺣﺪﻯ ﺣﺎﻓﺘﻰ ﺍﻟﻠﺴﺎﻥ ﺃﻭ ﺍﻟﺤﺎﻓﺘﻴﻦ ﻣﻌﺎ ﺣﺘﻰ ﻣﺨﺮﺝ ﺍﻟﻼﻡ ﻭﺧﺮﻭﺟﻬﺎ ﻣﻦ ﺍﻟﺠﻬﺔ ﺍﻟﻴﺴﺮﻯ
ﺃﻭﻣﻦ ﺍﻟﺤﺎﻓﺘﻴﻦ ﻣﻌﺎ ﺃﻳﺴـﺮ ...... ﻭﻗﻴﻞ ﺃﻥ ﺍﺳﺘﻤﺮﺍﺭ ﺻﻮﺕ ﺍﻟﻀﺎﺩ ﻫﻮ ﺻﻔﺔ ﺍﻟﺮﺧﺎﻭﺓ ﻭﺗﺤﺮﻙ ﺍﻟﻠﺴﺎﻥ ﻗﻠﻴﻼ ﺇﻟﻰ
ﺍﻷﻣﺎﻡ ﺃﺛﻨﺎﺀ ﺍﻟﻨﻄﻖ ﺑﻬﺎ ﺣﺘﻰ ﻳﺼﻞ ﺇﻟﻰ ﻟﺤﻢ ﺃﺳﻨﺎﻥ ﺍﻟﻠﺜﺔ ﺍﻟﻌﻠﻴﺎ ﻫﻮ ﺻﻔﺔ ﺍﻻﺳﺘﻄﺎﻟﺔ ﻭﻳﺨﻄﺊ ﻣﻦ ﻳﻨﻄﻘﻬﺎ ...... ﻃﺎﺀﺍ
ﻫﻜﺬﺍ ( ﻭﻻ ﺍﻟﻄﺎﻟﻴﻦ ) ﺃﻭ ﻇﺎﺀﺍ ﻫﻜﺬﺍ ( ﻭﻻ ﺍﻟﻈﺎﻟﻴﻦ ) ﺃﻭ ﺩﺍﻻ ﻣﻔﺨﻤﺔ ﻫﻜﺬﺍ ( ﻭﻻ ﺍﻟﺪﺍﻟﻴﻦ ) ....... ﻳﻤﺪ ﺍﻷﻟﻒ ﻣﺪﺍ
ﻻﺯﻣﺎ ﻛﻠﻤﻴﺎ ﻣﺜﻘﻼ 6 ﺣﺮﻛﺎﺕ ﺑﺴﺒﺐ ﺍﻟﺴﻜﻮﻥ ﺍﻷﺻﻠﻰ ﻓﻰ ﺍﻟﻼﻡ ﺍﻟﻤﺸﺪﺩﺓ ﺑﻌﺪﻩ ( ﺍﻟﻤﺸﺪﺩ ﻋﺒﺎﺭﺓ ﻋﻦ ﺣﺮﻓﻴﻦ ﺳﺎﻛﻦ
ﻭﻣﺘﺤﺮﻙ ﺃﺩﻏﻢ ﺍﻟﺴﺎﻛﻦ ﻓﻰ ﺍﻟﻤﺘﺤﺮﻙ ) ......... ﺍﻟﻼﻡ : ﻣﺸﺪﺩﺓ ﺑﻬﺎ ﺻﻔﺔ ﺍﻟﺘﻮﺳﻂ ﻻ ﺗﻔﺨﻢ ﻭﻻ ﻳﻮﻗﻒ ﻋﻠﻴﻬﺎ ﻟﺤﻈﺔ
ﻓﺘﻤﻂ ..... ﺍﻟﻨﻮﻥ ﺗﺴﻜﻦ ﻋﻨﺪ ﺍﻟﻮﻗﻒ ﻻ ﺗﻐﻦ ﻭﻻ ﺗﻘﻠﻘﻝ ...... ﻣﺪ ﺍﻟﻴﺎﺀ ﻋﺎﺭﺽ ﻟﻠﺴﻜﻮﻥ ﻭﻗﻔﺎ " ﻭﻣﺎ ﺗﻮﻓﻴﻘﻰ ﺇﻻ ﺑﺎﻟﻠﻪ
11 ﻣﺎﺭﺱ، ﺍﻟﺴﺎﻋﺔ 11:17 ﺹ · ﺍﻟﺨﺼﻮﺻﻴﺔ : ﺍﻟﻌﺎﻣﺔ
الرئيسية 